Two-dimensional design adjacent colors refer to a color scheme in which colors that are adjacent to each other on the color wheel are used together. This approach can create a harmonious and cohesive look. In design, adjacent colors are often used to create a sense of calm and relaxation, as they are not too contrasting.

Pastel邻近色 refer to colors that are adjacent to each other on the color wheel. In pastel art, using neighboring colors creates a harmonious and soft effect. Artists often choose colors that are close in value and hue to achieve a cohesive look in their work.

Adjacent colors and similar colors refer to concepts in color theory. Adjacent colors are those found next to each other on the color wheel, sharing a common color characteristic. Similar colors are hues that are close to each other on the color wheel, but not directly adjacent. Both concepts are used in design, art, and color psychology to create harmonious color combinations.

Vincent van Gogh's 'Sunflowers' series is renowned for its use of vibrant colors. Complementary colors are pairs that, when combined, produce white light. In the Sunflowers, Van Gogh employed a palette of complementary colors, such as red and green, yellow and purple, and blue and orange, to create a striking contrast and dynamic composition. This use of complementary colors adds to the paintings' intensity and visual appeal.

相近色（Analogous Colors）是指色轮上彼此相邻的颜色，例如红橙和橙黄。和谐色（Harmonious Colors）则是指在视觉上搭配协调的一组颜色，它们可以是相近色、互补色或其他任何在色轮上位置接近的颜色组合。在艺术和设计中，和谐色用于创造视觉平衡和和谐感。

Complex colors refer to hues that contain multiple primary colors, while adjacent colors are hues that are next to each other on the color wheel. They are both important concepts in color theory, which is the study of color as it relates to human vision, perception, and emotion.

Adjacent colors refer to hues that are next to each other on the color wheel. They share a common color base but differ in saturation and brightness. This concept is widely used in art, design, and fashion to create harmonious color combinations.

Complementary colors and analogous colors are two concepts in color theory. Complementary colors are pairs of colors that, when combined, cancel each other out in the color spectrum, such as red and green. Analogous colors are colors that are next to each other on the color wheel and share a common color trait, like red, orange, and yellow. Artists use these concepts to create harmonious and dynamic compositions in their works.

Adjacent colors in the color pencil context refer to hues that are next to each other on the color wheel. These colors can be mixed to create a harmonious blend. In art, using adjacent colors can create a sense of calm and unity. Artists often use them in landscapes and natural scenes to convey a serene atmosphere.

Adjacent colors are hues that are next to each other on the color wheel, such as red and orange or blue and green. They tend to be harmonious together. Complementary colors, on the other hand, are those directly opposite each other on the color wheel, like red and green or blue and orange. These colors create a strong contrast and are often used together to make each other stand out.

A nearby color makeup illustration typically showcases makeup looks that feature colors that are close to each other on the color wheel. These looks often provide a cohesive and harmonious aesthetic. Nearby colors include analogous colors (next to each other on the color wheel) and monochromatic colors (various shades of the same hue). Such illustrations are commonly found in beauty magazines, online beauty blogs, and social media platforms, serving as a source of inspiration for makeup enthusiasts.

Complementary colors are a color scheme in which one color is directly opposite another on the color wheel. In the context of a leaf, this refers to the contrast in colors that can be seen when a leaf has a green hue contrasting with a bright red, orange, or yellow color. This contrast is often observed in fall foliage, where leaves change color and display a range of complementary colors.

The phrase 'glance at the adjacent colors' refers to a concept in color theory where adjacent colors on the color wheel are complementary to each other. This is often used in design and art to create harmonious color schemes.

The Forbidden City's complementary colors refer to the traditional Chinese architectural design that utilizes a color scheme based on the concept of complementary colors. The main colors used in the Forbidden City are red and yellow, which are considered complementary colors in Chinese culture. Red symbolizes prosperity and happiness, while yellow represents the emperor's divine authority. The use of these colors is not only for aesthetic reasons but also to convey the imperial power and status of the complex.

Complementary colors are pairs of colors that, when combined, produce a grayscale. They are located opposite each other on the color wheel. For example, red and green, blue and orange, and yellow and purple are complementary color pairs.

A lecture on similar colors and adjacent colors would likely cover the concepts of color theory. Similar colors are those that are close to each other on the color wheel, while adjacent colors are those that are right next to each other. These concepts are used in design, art, and various visual media to create harmonious and aesthetically pleasing color schemes.

Analogous colors are those that are next to each other on the color wheel. In everyday life, examples include the colors of a sunset sky, where orange is adjacent to red and yellow, or the colors in a garden, where flowers like roses, which are red, are often planted next to flowers like peonies, which are pink.

Four adjacent colors refer to a color scheme in art and design where four colors are placed next to each other on the color wheel, such as red, orange, yellow, and yellow-green. This scheme is often used in color theory to create a harmonious and dynamic composition. Adjacent colors are those that are directly next to each other on the color wheel, sharing a common color base while still offering a variety of hues.

Tian Guan Cai Fu, also known as 'The Mandate of Heaven Grants Blessing,' is a Chinese idiom that refers to receiving great blessings. The term 'near color' might be a misinterpretation or a creative expression. In the context of color theory, 'near color' could refer to colors that are adjacent to each other on the color wheel, sharing similar hues. However, without further context, it's unclear what 'near color' specifically refers to in this idiom.