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Rough ThumbnailsWith the overall aesthetic es...

ByBrian Miller

LicenseAttribution-NonCommercial 4.0 International

<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/15767793/Every-Mountain"><span style="font-size: 12px;color:black;">“Rough ThumbnailsWith the overall aesthetic established, I opted to move to pencil and paper for the next sketch. This is a much quicker method for me to solve visual challenges and it allows me to get out of the office and work (which is important for staying somewhat sane). I developed two roughs and decided to move forward with the first option. I liked the way it broke apart the illustration into scenes but still tied it together with the path the runner was on. I redrew the sketch digitally to ensure all the elements would work well together. For me, this piece really came alive when I added black and white tones to everything. Something about it started singing, and I liked what I was hearing. With the tones in place, I moved to 3 color options, and 2 of them were chosen to create the same change in daylight animation effect as the Alpine illustration.”</span> </a>由 <a href="https://www.behance.net/ocs"><span style="font-size: 12px;color:black;">Brian Miller</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/15767793/Every-Mountain"><span style="font-size: 12px;color:black;">“Rough ThumbnailsWith the overall aesthetic established, I opted to move to pencil and paper for the next sketch. This is a much quicker method for me to solve visual challenges and it allows me to get out of the office and work (which is important for staying somewhat sane). I developed two roughs and decided to move forward with the first option. I liked the way it broke apart the illustration into scenes but still tied it together with the path the runner was on. I redrew the sketch digitally to ensure all the elements would work well together. For me, this piece really came alive when I added black and white tones to everything. Something about it started singing, and I liked what I was hearing. With the tones in place, I moved to 3 color options, and 2 of them were chosen to create the same change in daylight animation effect as the Alpine illustration.”</span> </a>由 <a href="https://www.behance.net/ocs"><span style="font-size: 12px;color:black;">Brian Miller</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>