<p style="font-size: 12px;color:#aaa;">版权引用：<a href="https://www.behance.net/gallery/62711009/My-Blood-Is-Proof-They-Exist-Jacquard-Series"><span style="font-size: 12px;color:black;">“PANEL I, MIGRATION5 x 9 ft, mohair, wool, rayon, Kyototex metallic, opalescent slit filmIn the 1980’s, the Chinese government issued the One-Child Policy in an attempt to control population. Due to a long standing cultural preference for sons, hundreds of thousands of female infants were abandoned across China. Many ended up in orphanages and were subsequently adopted by foreigners from countries in North America, Europe, and Oceania. Airplanes, a metaphor for the adoptee diaspora, streak through the composition. Barely visible in the background are a group of figures. In their arms are infants, wrapped in rose-gold threads. The houses I grew up in outside of Seattle are depicted here. Overhead, snow falls from the branches of willow trees in Daguan Park, the location where I was documented to have been found by the local police (their faces peering out from above the row of houses) in November of 1994.”</span> </a>由 <a href="https://www.behance.net/taliaconnelly"><span style="font-size: 12px;color:black;">Talia Connelly</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>