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The fourth stage of the performance is the wa...

ByStefano Moscardini

LicenseAttribution-NoDerivs-NonCommercial 4.0 International

<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/9614553/Hermann-Nitsch-Malaktion-64"><span style="font-size: 12px;color:black;">“  The fourth stage of the performance is the walk. The assistants and the students, under the direct guidance of the artist, walk barefooted on the freshly colored canvases. The walk is an extremely phisical part of the whole performance and again two elements mix: movement and body. The bare skin of the foot becomes a paint brush, leaving trails that form harmonic patterns on the canvas, but at the same time, they seem to create a direct connection between the bodies of those involved in the creation and the piece of art itself. Moreover, following the transgressive tradition of Viennese Actionism, the audience of the performance is witnessing people trampling art during its own creation. This may not be the most aesthetically pleasing part of Malaktion , but it surely is the one that bears the strongest and deepest meaning.  ”</span> </a>由 <a href="https://www.behance.net/stefanomoscardini"><span style="font-size: 12px;color:black;">Stefano Moscardini</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/9614553/Hermann-Nitsch-Malaktion-64"><span style="font-size: 12px;color:black;">“  The fourth stage of the performance is the walk. The assistants and the students, under the direct guidance of the artist, walk barefooted on the freshly colored canvases. The walk is an extremely phisical part of the whole performance and again two elements mix: movement and body. The bare skin of the foot becomes a paint brush, leaving trails that form harmonic patterns on the canvas, but at the same time, they seem to create a direct connection between the bodies of those involved in the creation and the piece of art itself. Moreover, following the transgressive tradition of Viennese Actionism, the audience of the performance is witnessing people trampling art during its own creation. This may not be the most aesthetically pleasing part of Malaktion , but it surely is the one that bears the strongest and deepest meaning.  ”</span> </a>由 <a href="https://www.behance.net/stefanomoscardini"><span style="font-size: 12px;color:black;">Stefano Moscardini</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>