<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/69991213/Kidag-font-3D"><span style="font-size: 12px;color:black;">“Finally, the compositing tag is an equally per-object tool I use a lot to select objects that generate shadows or contribute to AO computations. For example, you will notice in the 'I' glyph rendering, that the central tube that goes through the glyphs does not generate shadows (they were distracting). What gets lost in realism, provides better legibility, particular in this example where the shadow itself needs to be clear and show the glyph and the character's own shadow.”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Vincent Hardy,David Samuel Oluwadamilare</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/69991213/Kidag-font-3D"><span style="font-size: 12px;color:black;">“Finally, the compositing tag is an equally per-object tool I use a lot to select objects that generate shadows or contribute to AO computations. For example, you will notice in the 'I' glyph rendering, that the central tube that goes through the glyphs does not generate shadows (they were distracting). What gets lost in realism, provides better legibility, particular in this example where the shadow itself needs to be clear and show the glyph and the character's own shadow.”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Vincent Hardy,David Samuel Oluwadamilare</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>