source: behance.net
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1800 x 1202

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Behind The ScenesThe biggest part of design p...

ByYurko Gutsulyak,Olga Protasova

LicenseAttribution-NoDerivs-NonCommercial 4.0 International

<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/67288189/Sea-Cruise-Melody"><span style="font-size: 12px;color:black;">“Behind The ScenesThe biggest part of design process was working with patterns. They had to be simple, diverse, not repetitive, kept in style, relevant to the topic and perfect background for the crackers. Within one illustration all patterns had to create complete solid image. When there was a mistake in proportions or colors, the whole composition was often redone. At the beginning, we aimed to get final illustration with one shoot but practically every illustration consists of at least three shoots: modeling clay, crackers and shadows. None of the sculptures survived and all modeling clay was reused for the new projects.”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Yurko Gutsulyak,Olga Protasova</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/67288189/Sea-Cruise-Melody"><span style="font-size: 12px;color:black;">“Behind The ScenesThe biggest part of design process was working with patterns. They had to be simple, diverse, not repetitive, kept in style, relevant to the topic and perfect background for the crackers. Within one illustration all patterns had to create complete solid image. When there was a mistake in proportions or colors, the whole composition was often redone. At the beginning, we aimed to get final illustration with one shoot but practically every illustration consists of at least three shoots: modeling clay, crackers and shadows. None of the sculptures survived and all modeling clay was reused for the new projects.”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Yurko Gutsulyak,Olga Protasova</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>