<p style="font-size: 12px;color:#aaa;">版权引用：<a href="https://www.behance.net/gallery/30106393/The-Umbrella-Factory"><span style="font-size: 12px;color:black;">“FlatsOnce the sketch was chosen, I moved to full scale production mode and laid down black and white values and textures. The two questions I get most often on this step of my process are 1. How do you get your textures and 2. How do you transition from black and white to color? I always feel bad giving out answers to these questions because the answers seem to kill a little hope that there's some secret option I've discovered that will help everyone out... the reality is I simply use the method I'm comfortable with though I'm certain there are a number of roads to the same result. To get my textures, I use custom pressure sensitive brushes in Photoshop with the aid of my trusty Wacom Cintiq. I don't like stamp textures, overlays, or noise filters in PS because they don't give me the control I want to really leverage the textures to define form and lighting. You can find loads of brushes like the ones I've been customizing (I'd suggest Kyle T. Webster's brushes for starters).......”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;"></span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>