<p style="font-size: 12px;color:#aaa;">版权引用：<a href="https://www.behance.net/gallery/588476/New-York-Drawing-Museum"><span style="font-size: 12px;color:black;">“05.11.08IntroductionArchitectural drawings in contemporary practice shift back and forth between classical forms of representation and an unfolding of new material relations. This instable position of the image and architect is by now recognized as fundamental to architecture’s productive imagination. It proposes that the excess of one moment becomes the material of another moment’s image. In the studio, architectural drawing both supports and resists direct instrumentality; the studio produces a steady flow of excess and develops the alternative analytical means of seeing this excess as already internal to architecture - it attempts to provide the situation for an architect’s engagement with and estrangement from drawing practices. In the studio, the line is converted from a strictly divisional and vectoral mark on a plane surface to a mobile and flexural steel wire in dynamic relation to others and prior to a surface. Surfaces are made of lines assembling and shifting in re......”</span> </a>由 <a href="https://www.behance.net/johnbecker"><span style="font-size: 12px;color:black;">John Becker</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>