source: behance.net
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Production:I have learned some new things abo...

ByFelix Hernandez Dreamphography

LicenseAttribution-NoDerivs-NonCommercial 4.0 International

<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/63552027/LOVE-CAR-2018"><span style="font-size: 12px;color:black;">“Production:I have learned some new things about optics and how we can play with the perception of scale. Through the years I have experimented with different lenses, figuring out which one would give me the best features of what I wanted to achieve.Examples were a mix of minimal focus distance to be close enough to the scale models, but wide enough to have them completely in-frame, but also being aware of the distortion that could imply, etc.These days, I find myself doing this kind of photography with a lens that is normally used for landscape and architecture photography: a 24mm Tilt-Shift lens has all of the characteristics that I was looking for.Of course my lighting setups and in-camera composition have improved throughout the years, and now, I normally just take 3 to 5 shots for compositing the final image, regardless of  where it was photographed – at the studio or on-location. Two shots are of the model and the scene, focusing on two different focal planes to achieve ......”</span> </a>由 <a href="https://www.behance.net/HDreamphography"><span style="font-size: 12px;color:black;">Felix Hernandez Dreamphography</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/63552027/LOVE-CAR-2018"><span style="font-size: 12px;color:black;">“Production:I have learned some new things about optics and how we can play with the perception of scale. Through the years I have experimented with different lenses, figuring out which one would give me the best features of what I wanted to achieve.Examples were a mix of minimal focus distance to be close enough to the scale models, but wide enough to have them completely in-frame, but also being aware of the distortion that could imply, etc.These days, I find myself doing this kind of photography with a lens that is normally used for landscape and architecture photography: a 24mm Tilt-Shift lens has all of the characteristics that I was looking for.Of course my lighting setups and in-camera composition have improved throughout the years, and now, I normally just take 3 to 5 shots for compositing the final image, regardless of  where it was photographed – at the studio or on-location. Two shots are of the model and the scene, focusing on two different focal planes to achieve ......”</span> </a>由 <a href="https://www.behance.net/HDreamphography"><span style="font-size: 12px;color:black;">Felix Hernandez Dreamphography</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>