<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/24598673/Framing"><span style="font-size: 12px;color:black;">“Framing is the concept. Here all the ceramic models are exhibited as singular unique pieces in three thematic rooms. And the whole interior space is framed from the outside as a compact dense volume just leaving slight introspections. The architectonic geometry - matched with a graphic treatment of the surfaces – it’s crossed by a subtle vibration thanks to the optical effect created by the triple staining of the vertical elements. According to the side you are looking at, the pavilion outer surfaces appear as a continuum of vertical lines with a different chromatic identity. Red and purple if you look to one direction, red and grey if you look to the other. Splitting the inside from the outside – thus avoiding the shop window effect - the visitor is invited to enter in a place “other”. Inside the design of the display keeps a distance from the usual typologies – fake representations of domestic environments or dull floor/wall compositions. Here the focus is about staging th......”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Paolo Cesaretti,Claudia Astarita,Stefano Stagni</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/24598673/Framing"><span style="font-size: 12px;color:black;">“Framing is the concept. Here all the ceramic models are exhibited as singular unique pieces in three thematic rooms. And the whole interior space is framed from the outside as a compact dense volume just leaving slight introspections. The architectonic geometry - matched with a graphic treatment of the surfaces – it’s crossed by a subtle vibration thanks to the optical effect created by the triple staining of the vertical elements. According to the side you are looking at, the pavilion outer surfaces appear as a continuum of vertical lines with a different chromatic identity. Red and purple if you look to one direction, red and grey if you look to the other. Splitting the inside from the outside – thus avoiding the shop window effect - the visitor is invited to enter in a place “other”. Inside the design of the display keeps a distance from the usual typologies – fake representations of domestic environments or dull floor/wall compositions. Here the focus is about staging th......”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Paolo Cesaretti,Claudia Astarita,Stefano Stagni</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>