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SEGUE Throughout my one year stay in China, I...

Bybence bakonyi

LicenseAttribution-NonCommercial 4.0 International

<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/13599573/segue"><span style="font-size: 12px;color:black;">“SEGUE Throughout my one year stay in China, I tried to find my home in a world completely unknown to me. And because home is where one can find himself, the photographs can also be seen as self-portraits projected onto China. Without assistance and not being able to speak Chinese, it was hard for me to communicate with people. Therefore, I refrained from picturing humans and I focused on their environment instead. In the first part of my journey I had been wandering through the countryside, trying to avoid the metropolitan areas, but with time, I found myself in ever larger cities. In my journey's second part, it was increasingly challenging to avoid the portrayal of humans. The series follows the development of my voyage, as I gradually approached, starting from rural existence, the man-made world. 2013-2014 China”</span> </a>由 <a href="https://www.behance.net/bencebakonyi"><span style="font-size: 12px;color:black;">bence bakonyi</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/13599573/segue"><span style="font-size: 12px;color:black;">“SEGUE Throughout my one year stay in China, I tried to find my home in a world completely unknown to me. And because home is where one can find himself, the photographs can also be seen as self-portraits projected onto China. Without assistance and not being able to speak Chinese, it was hard for me to communicate with people. Therefore, I refrained from picturing humans and I focused on their environment instead. In the first part of my journey I had been wandering through the countryside, trying to avoid the metropolitan areas, but with time, I found myself in ever larger cities. In my journey's second part, it was increasingly challenging to avoid the portrayal of humans. The series follows the development of my voyage, as I gradually approached, starting from rural existence, the man-made world. 2013-2014 China”</span> </a>由 <a href="https://www.behance.net/bencebakonyi"><span style="font-size: 12px;color:black;">bence bakonyi</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>