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THE PROCESSWe used the depth and color map se...

ByRadugadesign .,Alexander Abramov,Sergey Voronov,Elen Elkiev,Irina Safiullina,Sergey Nikitin

LicenseAttribution-NoDerivs-NonCommercial 4.0 International

<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/54395897/2047-Apologue-Weaving-Mashine"><span style="font-size: 12px;color:black;">“THE PROCESSWe used the depth and color map sequences to recreate the entire setup in Cinema 4D using the shader effector. This helped us to synchronize the animation of the balls on the projection with the movement of the kinetic balls.”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Radugadesign .,Alexander Abramov,Sergey Voronov,Elen Elkiev,Irina Safiullina,Sergey Nikitin</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>
<p style="font-size: 12px;color:#aaa;">版权引用:<a href="https://www.behance.net/gallery/54395897/2047-Apologue-Weaving-Mashine"><span style="font-size: 12px;color:black;">“THE PROCESSWe used the depth and color map sequences to recreate the entire setup in Cinema 4D using the shader effector. This helped us to synchronize the animation of the balls on the projection with the movement of the kinetic balls.”</span> </a>由 <a href=""><span style="font-size: 12px;color:black;">Radugadesign .,Alexander Abramov,Sergey Voronov,Elen Elkiev,Irina Safiullina,Sergey Nikitin</span></a> 授权许可 <span><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/deed.zh" target="_blank" style="font-size: 12px;color:black;">Attribution-NoDerivs-NonCommercial 4.0 International<img src="" style="display: inline-block;height: 16px;width: auto;"></a></span></p>